Sound Thinking - Episode 15 (The Beatles)

This radio series, that originally aired on Flirt.FM a licensed student radio station for NUIG, takes one particular type of music, subculture, sub-genre, or moment in time each week and examines it in detail. Listening to some of the best or underrated music of that time and looking at the history behind it.

Episode 15 is all about the fab four from Liverpool, the Beatles.

Joining me today is my good friend Cian Carter who takes us on a journey through his favrouite tracks from each record.

Starting in 1963 with Please, Please, Me, right through to 1970's Let It Be.

Listen: Here (Orginally aired 22/03/21)

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David Bowie (1969)

The Bowie Project #2 - David Bowie aka Space Oddity aka Man of Words/Man of Music (1969) Click here to listen to an audio version of this review on Spotify Many call this the first true David Bowie album. After the commercial failure of his first record two years earlier (also called David Bowie ), the future Ziggy Stardust sought to reinvent himself and shed his jaunty music hall vaudeville past, and what better way to erase everyone’s memory of the first album than by giving the next one the exact same name? The origins of this album begin with the promotional movie Love You till Tuesday which Kenneth Pitt, Bowie’s new manager, hoped would showcase his talents and introduce him to a larger audience. The film ended up being shelved and was not released until 1984 when it finally appeared on VHS. The half-hour promo was originally planned to include seven previously released Bowie songs and one mime performance, but before shooting began Bowie wrote a new song for the fi...

David Bowie (1967)

The Bowie Project #1 – David Bowie (1967) Click here to listen to an audio version of this review on Spotify The David Bowie we find on his 1967 debut album is not quite the Bowie so many would later come to know and love. The pieces are there, the ambition, the creativity, the lyricism but it never quite manages to come together as a cohesive whole. There’s a strange mix of genres on display here, ranging from baroque to music hall to psychedelic rock with Bowie himself stating that the album “seemed to have its roots all over the place, in rock and vaudeville and music hall. I didn't know if I was Max Miller or Elvis Presley ". But in a way, that’s part of its charm. Bowie is finding his feet and personally I find that rather enjoyable. It’s nice to know that his artistic vision didn’t arrive fully formed, that there was a couple of false starts before the real good stuff, that even if we’re not fully satisfied with the things we create, we can go back to the drawing ...

The Man Who Sold the World (1970)

The Bowie Project #3- The Man Who Sold the World (1970) Click here to listen to an audio version of this review on Spotify On his third studio album David Bowie moves away from the largely acoustic psychedelic folk of his previous self-titled release and shifts into a new hard rock sound with the backing of a full band. After the success of the single “ Space Oddity ” the year before failed to boost the accompanying album sales, Bowie decided to form a band with bassist Tony Visconti and drummer John Cambridge. They name themselves the Hype and recruit the now legendary guitarist Mick Ronson. This group (which would later evolve into the Spiders from Mars) wore flamboyant superhero-like costumes designed by Bowie’s first wife Angie, who he married on 20 March 1970, just one month before he started recording this album. Bowie was Rainbowman and wore a multicoloured outfit, Ronson was Gansterman and would dress in a sharp double-breasted suit, Visconti was Hypeman and dressed li...

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