Skip to main content

Sound Thinking - Episode 1 (1960's Mod)

 This radio series, that originally aired on Flirt.FM a licensed student radio station for NUIG, takes one particular type of music, subculture, sub-genre, or moment in time each week and examines it in detail. Listening to some of the best or underrated music and looking at the history behind it.

Episode 1 looks into the mod subculture in the 1960s. Originally based around northern soul and modern jazz the movement is now mostly associated with British invasion rock bands such as The Who, The Kinks, and the Small Faces.

Listen to Episode 1: Here (Originally aired 16/11/20)


Comments

Popular posts from this blog

David Bowie (1969)

The Bowie Project #2 - David Bowie aka Space Oddity aka Man of Words/Man of Music (1969) Click here to listen to an audio version of this review on Spotify Many call this the first true David Bowie album. After the commercial failure of his first record two years earlier (also called David Bowie ), the future Ziggy Stardust sought to reinvent himself and shed his jaunty music hall vaudeville past, and what better way to erase everyone’s memory of the first album than by giving the next one the exact same name? The origins of this album begin with the promotional movie Love You till Tuesday   which Kenneth Pitt, Bowie’s new manager, hoped would showcase his talents and introduce him to a larger audience. The film ended up being shelved and was not released until 1984 when it finally appeared on VHS. The half-hour promo was originally planned to include seven previously released Bowie songs and one mime performance, but before shooting began Bowie wrote a new song for the fi...

Earthling (1997)

The Bowie Project #25 - Earthling (1997) David Bowie’s 21st studio album Earthling (stylised as EART HL ING ) was released on 3 February 1997. The follow up to the 1995 concept album Outside the original plans were for this record to be a conceptual continuation of what came before. Instead, Bowie scrapped that idea and this album was just merely influenced by some of styles and sounds of Outside in particular electronica as well as drum and bass/jungle culture that had been developing throughout the 1990s. This album is an interesting one in that it sounds like Bowie has never been further away from the glam rock style that made him famous. This is straight up drum and bass and on first listen it can be hard to know what to make of it. Is Bowie once again reinventing himself and making a bold new statement on artistic integrity and the drive to delve even deeper into the culture's musical landscape? Or is chasing a sound that had already past its height of cultural relevance, desp...

Hunky Dory (1971)

  The Bowie Project #4 - Hunky Dory (1971) Click here to listen to an audio version of this review on Spotify   David Bowie’s fourth studio release is commonly referred to as the album where “Bowie starts to become Bowie”, while his previous efforts laid the foundations for all that would come after and explored themes which he would return to again and again, this is the record where he truly finds his distinctive style and sound. This release sees Bowie move away from the hard rock sound of his previous album The Man Who Sold the World and into a more pop rock piano-based style. The themes explored reflect many of the same things Bowie had been writing about previously, such as occultism and Nietzschean philosophy, but it also explore his newfound fascination with America and American culture. This was a resulted of touring the U.S. the previous year which inspired him to write songs dedicated to three American icons: Andy Warhol , Bob Dylan , and Lou Reed . At this point B...